Renée Green: Pacing

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American artist Renée Green (born 1959) spent two years engaged with the Carpenter Center for the Visual Arts at Harvard University, during which she presented a series of interlinked public programs and exhibitions, culminated with her major exhibition Within Living Memory(2018). Green’s Carpenter project, Pacing, is a meditation spurred by inhabiting an architectural icon—Le Corbusier’s Carpenter Center—while exploring the historical and institutional legacies of modernism’s other forms, including cinema, visual art, poetry, music and literature.

 

This handsome publication illuminates Green’s unfolding process, with a sequence of exhibitions that took place from 2015 and culminating in Pacing: Facing in Toronto; Tracing in Como, Italy; Placing in Berlin; Spacing in Lisbon; and Begin Again, Begin Again in Los Angeles. The result is a meditation on creative processes across histories and media, partially inspired by two architectural icons: Rudolf M. Schindler and Le Corbusier. Despite grand ambitions, Le Corbusier was only able to realize two buildings in the Americas, the Carpenter Center in Cambridge, Massachusetts, and Casa Curuchet, in La Plata, Argentina. In Pacing, dreams, projections and geographically distant buildings are put into dialogue through time, weaving a layered constellation of unexpected relations.

 

Lavishly illustrated, Renée Green: Pacing features new texts by Gloria Sutton and Fred Moten, and brings together a series of previously unpublished conversations between the artist and Yvonne Rainer, Nora M. Alter and Mason Leaver-Yap. Additional contributions are provided by Nicholas Korody, William S. Smith and Carpenter Center director Dan Byers.

 

Paperback
9 x 11.75 in.
300 pages
ISBN: 9781735230504
Designer: Wkshps with Chad Kloepfer
Publisher: Carpenter Center for the Visual Arts / Free Agent Media

30 January - 27 March 2021

Madeline Hollander at The Visual Arts Center, The University of Texas at Austin

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Score for 7 Solos

The Visual Arts Center, The University of Texas at Austin

30 January – 27 March 2021

10 September 2020 - 18 April 2021

Renée Green at The Fabric Workshop and Museum, Philadelphia, PA

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Fabric As…

The Fabric Workshop and Museum | Philadelphia, PA

September 10, 2020  – April 18, 2021

4 - 30 January 2021

Madeline Hollander at La MaMa Galleria, New York

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January 04 – January 30, 2021
La MaMa Galleria | 47 Great Jones St.
Galleria Open: Friday & Saturday; 12pm–6pm; or by private appointment
Curated by Sam Gordon

Barbara Kasten in LACMA screening of The New Bauhaus

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The New Bauhaus
LACMA online screening
December 4, 2020
10am

Nicolás Guagnini / David Joselit: Session

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“Session” is slightly edited transcription of Analysis, a performance by Nicolás Guagnini and David Joselit that took place September 28, 2019 between 7 and 7:50 pm at Bortolami Gallery, New York.

 

Analysis coincided with the artist’s exhibition Asociación Psicoanalítica Argentina. “Session” has been annotated, via footnotes, with intimate and often humorous reflections by Joselit in the role of psychoanalyst. As with most A.R.T. Press publications, the book foregrounds the conversation form – in this case, by playfully adopting the format of a psychoanalytical session, confounding and challenging the role of artist and analysand, art critic and analyst.

Nicolás Guagnini Screening at Mishkin Gallery

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Nicolás Guagnini and Jeff Preiss
Featuring the film Discharge (2005)
Thursday 19 November 2020
6 – 7 pm
Click here to register in advance for Zoom link

 

Mishkin Gallery and ISLA (Baruch’s Initiative for the Study of Latin America) present an evening of art and film featuring the co-authored Discharge (2005) by Nicolás Guagnini and Jeff Preiss. Discharge came about when Guagnini and Preiss were both shareholders in the Orchard Gallery co-op, an artist-run gallery on Manhattan’s Lower East Side active from 2005 until 2008. At the time, both Guagnini and Preiss were undergoing and studying Reichian therapy; developed by psychoanalyst Wilhelm Reich, this form of therapy is used to attenuate tension (and therefore, trauma) through very quick breath and eye movements. Preiss’s sharp editing is key in embodying Reichian techniques through film, while much of the repressed trauma informing Guagnini’s performance references a history of the dictatorship in his native Argentina in the 1970s and 80s. Discharge will be screened and the two artists will discuss their role and share reflections on in its production. This event is in conjunction with the upcoming Mishkin Gallery exhibition Nicolás Guagnini: Theatre of the Self. The event will be introduced by ISLA’s Stephanie Golob and moderated by Mishkin Gallery’s Alaina Claire Feldman.

 

Nicolás Guagnini is an artist, filmmaker, writer, and curator born in Buenos Aires and based in New York.

 

Jeff Preiss is a filmmaker, cinematographer, director and producer born and based in New York.

Nicolás Guagnini at ISLAA, New York

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The Counter-Public Sphere in the Condor Years
Curated by Nicolás Guagnini
Institute for Studies on Latin American Art, (ISLAA), New York, NY
15 October 2020 – 15 January 2021

Madeline Hollander in BMW Open Work Commission, Frieze Los Angeles

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BMW Open Work Commission
6 October, 2020

 

Speaking from her studio in New York, Madeline Hollander introduces her practice and the multi disciplinary commission which she is creating for BMW Open Work 2020. Surrounded by car head and tail lights and a storyboard of light settings, Hollander discusses how the three-part project emerged from her dialogue with BMW’s sustainability department and an investigation into the automatic adaptive system of BMW headlights.