The exhibition presents three quintessential paintings and an extensive selection of works on paper spanning from the late 1970s until the artist’s untimely death in 1992. Angus keenly drew what he saw, and in these early portraits he renders men in graphite, colored pencil, pastel, watercolor and oil—lounging, sleeping, and posing in figure drawing classes and domestic interiors. Captured in a fluid yet sharply observant style, Angus shepherded in a unique form of expressive social realism.