
Marcia Schvartz’s practice is grounded in the expressive yet rigorous rendering of the human figure, working with painting, ceramic, textile, sculpture, assemblage, and performance. She is best recognized for her figurative paintings that depict the complexity of cosmopolitan social dynamics.
Illustrating the political history of Argentina through personal and populist terms, Schvartz’s work has a recurrent focus on female figures which she represents in a radical anti-patriarchal and decolonial manner.
Works


55, 2010

Alegría, Alegría, 1976

Encuentro místico constitución (Mystical encounter at Constitutión Train Station), 1998

Mi noche triste (My sad night), 2004

Ensueño (Daydream), 1992

Erinia (el misterio del arte) (Erinyes (the mystery of Art)), 2003

Desnuda y con zoquetes (Nude with socks), 2012

Fondo L, 2008

Falsa higuerita, 1998

Flor (Flower), 2005

Lirio (Lily), 2005

Filha de Oyhá (Daughter of Oyhá), 2018

Pino (altanero) (Pino (arrogant)), 2016

Antonio, 2014

El Tomate, 1994

Fondo I, 2007

Fondo D, 2007

Aparición (Apparition), 1992

Luis Frangella, 1982

Luciérnaga Furiosa (Raging Firefly), 2000
