Artist Biography


“Ten Works under $25K on Frieze Viewing Room”, Frieze, 15 February, 2022

 Gia Kourlas, “Review: Choreographic Skeletons From a Lost Pandemic Time,” The New York Times, 29 October, 2021

“Curator Attilia Fattori Franchini on the Making and the Meaning of ‘Sunrise/Sunset,’ Madeline Hollander’s Constellation of BMW Headlights,” Artnet News, 19 October, 2021

Gia Kourlas, “Just Going Through the Motions,” The New York Times, 10 September, 2021.

Nate Rynaski. “Polly Apfelbaum and Madeline Hollander | ‘Some People See Time’ at The Dries Van Noten Little House,” Flaunt, 31 August, 2021. 

Madeline Hollander and A.E Benson, “Illuminating the manuscript, A collaborative jam session with Madeline Hollander and A.E Benson,” Balcony Magazine, July 2021

Elizaveta Shneyderman,“Cricket Choreographies: Madeline Hollander Interviewed by Elizaveta Shneyderman,” BOMB Magazine, 7 June, 2021

Taylor Dafoe, “Ballet Dancer-Turned-Artist Madeline Hollander Sees Choreography Where Others See Only Chaos. She’ll Help You See It, Too,” Artnet News, 3 May 2021

Emma McCormick-Goodhart, “Madeline Hollander”, TheGuide.Art, 9 April 2021

Brian Seibert, “Review: Looking for Crickets, and Coming up Crickets,” The New York Times, 29 March 2021

Marley Marius, “The Sound of Silence: Inside ‘Flatwing,’ Madeline Hollander’s New Exhibition at the Whitney,” Vogue, 29 March, 2021

Wallace Ludel and Gabriella Angeleti, “Three exhibitions to see in New York this weekend,” The Art Newspaper, 26 March, 2021

Charles Aubin, “Openings: Madeline Hollander”, Artforum, March 2021

Stephanie LaCava, “The Controlled Chaos of Madeline Hollander,” Interview, October 2020

Kitty Grady, “Artist Madeline Hollander Talks Us Through Her Vertigo-Inducing Frieze Installation,” British Vogue, October 2020

Sarah Wroth, “This Choreographer Is Bringing Ballet’s ‘Negative Space’ to the Stage & Screen,” Dance Magazine, July 2020

Martha Schwendener, “What to See Right Now in New York Art Galleries”, The New York Times, February 2020

Madeleine Seidel, “Madeline Hollander: Heads/Tails”, The Brooklyn Rail, February 2020

Cassie Packard, “Critics’ Picks: Madeline Hollander”, Artforum, January 2020

Nate Freeman, “Editors Picks: 17 Things Not to Miss in New York’s Art World This Week”, Artnet News, January 2020

Linda Yablonsky, “The art world is reborn in Tribeca”, The Art Newspaper, January 2020

Siobhan Burke, “At the Whitney Biennial, Flood Preparation as Social Dance”, The New York Times, September 2019

Piper Marshall. “25 Questions with Madeline Hollander”, Cura, August 2019

Tom Jeffreys, “Are We Choreographing Machines, Or Are They Choreographing Us?”, Frieze, August 2019

Laura Regensdourf, “This is Not a Drill”, Vogue, October 2019

Laura Bradley, “How Men in Black, Get Out, and Meryl Streep Inspired Us’s Climactic Fight”, Vanity Fair, March 2019

Kat Herriman, “Artist Madeline Hollander Talks About Her Hand in Jordan Peele’s Forthcoming Thriller”, Cultured Magazine, February 2019

Amanda Schmitt, “Supernature: Amanda Schmitt in Conversation with Loretta Fahreholz, Madeline Hollander, and Monica Mirabile”, Texte Zur Kunst, December 2019

Excerpt from Kathy Noble, “Parasites and Air Conditioners: Phoebe Berglund and Madeline Hollander”, Mousse Magazine, Fall 2018

Mikkel Rosengaard, “Studio Visit: Madeline Hollander by Mikkel Rosengaard”, Bomb, September 2018

Angela Brown. “Who is Choreographing Whom? A Conversation with Madeline Hollander”, Gagosian Quarterly, September 2018

Kat Herriman, “Madeline Hollander: Young Artists 2018”, Cultured Magazine, January 2018

Apollinaire Scherr, “Madeline Hollander, The Beach Sessions, New York – ‘quietly poignant’”, The Financial Times, August 2017

Juliana Halpert, “Critics’ Picks: Aidan Koch and Madeline Hollander”, Artforum, September 2016

Claire Voon, “The Captivating Choreography of Emergency Drills”, Hyperallergic, September 2016