Nicolás Guagnini (b. in 1966 in Buenos Aires, Argentina) has lived and worked in New York since 1998. In 2022, he had one-person shows at MACRO Rome and FRAC Grand Large – Hauts-de-France, Dunkirk. Recent solo exhibitions include Twilight of the Idols, Tarble Art Center, Charleston, IL; The Walrus, 3A Gallery, New York; Union Gaucha Productions, Artists Space, New York. Recent group exhibitions include Therapy, MALBA, Buenos Aires; 100 Drawings from Now, The Drawing Center, New York; Publishing as Artistic Toolbox: 1989- 2017, Kunsthalle Wien, Vienna, Austria; Sinister Feminism: A.I.R. Gallery’s 12th Biennial Exhibition, curated by Piper Marshall, New York; Bread and Roses, Museum of Modern Art, Warsaw; Dancing Museum, Museum of Modern Art, Sao Paulo; Descartes’ Daughter, Swiss Institute, New York; A Drawing Show Curated by Dan Graham, Micheline Swajcer, Antwerp; and Notations: The Cage Effect Today, Hunter College Art Gallery, New York.

He was a founder of Orchard Gallery (2005-2008), the film collective Union Gaucha Productions, and his writings have been published in October, Texte zur Kunst, and the recent catalogue for Bruce Nauman: Disappearing Acts. He also designed DICKFACE, a typography available at dickface.me